Sunday, April 20, 2008

The Real Story About the Scruggs Matter

The real story about the Scruggs Matter is hidden from us. We can only speculate. We can, however, keep our speculation in check if we understand history and a bit of human nature.

What the heck am I talking about? The history of what I might refer to or think of as a "set piece of human events" (e.g. the Scruggs Matter) is the history of causes of the actions and causes of reactions. The causes of the actions and reactions have a source in human nature, in the particular the human beings playing out their parts in piece of history -- people who are playing out the events of the "set piece." These are the people who have some sort of part to play of the events which unfold.

The set piece is a sort of representation of the wills of the participants and a representation of will in itself -- it is as if there is some sort of flowering of actions and reactions and more actions and reactions until what is in the making is made and then comes to a rest, at least for the time being.

The part which is hidden from us are the particular "causes" of the actions and reactions. These causes are to be found in human nature. But, the human nature we must speak of is that of the particular human nature of each of the participants, known and unknown, in the course of the actions and reactions. And, it is the will of human nature in and of itself.

Whatever we do about and within this set piece and that which we observe is, in truth speculation, about human nature and the particular human natures of the participants.

We will never know the real truth, the full and real truth of the Scruggs Matter.

One thing for sure, as far as I am concerned is that the matter is far more interesting than it appears. Another thing for sure, the characters in the drama are not as guilty nor as innocent as those of us who comment upon the matter would supposedly cause us to believe.

The Scruggs Matter is life in the raw. It is also life which has a certain beauty to it when one relieves himself from the absurd notion he or she can pass judgment on any person in the play.